10/10/2008 - 22:00
The countries and regions of the southern Mediterranean are increasingly entering our cultural radar. The reasons for this are political and religious, geographical and cultural; but often enough the approach resembles exotic curiosity about divans and Arabian Nights.
Karim Haddad (RL): Innere Ferne für Bass, Flöte, Horn, Vibraphon und Harfe AP
Vinko Globokar (SI): Skelet for trombone, accordion, percussion and quanun AP
Saed Haddad (JOR): Le contredésir für Horn, Klarinette und Cello AP
Yoav Pasovsky (IL): Kmatim for flute, clarinet, harp, piano and drums AP
Rena Gely (AZ): Dialog with Mugam for flute, clarinet, percussion, piano, violin, viola and violoncello AP
Samir Odeh-Tamimi (PS): Madih for ensemble and four Arabic instruments AP