musikprotokoll dynamic streaming


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Ensemble for New Music Tallinn 001 Ensemble for New Music Tallinn

Program
Alois Hába: 6 Stücke für Alois Hábas Sechsteltonharmonium op.37, 3. Satz
Georg Friedrich Haas: 6 Stücke für Alois Hábas Sechsteltonharmonium
Klaus Lang: Qvis Est
Arash Yazdani: contains strong emotions and explicit sounds
Nina Fukuoka: No gentle caressing
Anna-Louise Walton: Wobble
Alois Hába: 6 Stücke für Alois Hábas Sechsteltonharmonium op.37, 5. Satz

A nomadic life, a global one, are terms that can be ascribed to that sound phenomenon that answers to the name “microtonality”: a surprisingly cumbersome term for the fact that ultimately all music sounds microtonal in its details – from India to the Arab world, from Europe to the United States, from … to …. But yes, in precisely those decades in which compositions “with twelve tones which are related only to one another” were en vogue in Central Europe, other composers were searching for more than twelve. The “half tones” were divided still further – into third tones, fourth tones, and sixth tones. One hotspot of this movement was Prague, especially with the composer Alois Hába. Beginning in the 1920s, Hába worked on microtonally tuned instruments, ultimately developing his fascinating sixth-tone harmonium to which the nomadic life of our musikprotokoll concert corresponds. Iranian musician Arash Yazdani works in Tallinn, with the ensemble that travels with Alois Hába’s legendary sixth-tone harmonium – this time to Graz.  And here, the musikprotokoll connection comes full circle: in 1988, Haas designed a microtonal festival program; in 2021, multiple commissioned microtonal works will receive their world premieres. Miroslav Beinhauer: Harmonium

The compositions by Nina Fukuoka, Georg Friedrich Haas, and Anna-Louise Walton were commissioned by ORF musikprotokoll. Supported by the University of Music and Performing Arts Graz (KUG).

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musikprotokoll dynamic streaming

25. Oktober bis 25. November 2021

Credits


Audio
ORF Recording Manager: Franz Josef Kerstinger, Jens Jamin
ORF Recording Engineer: Christian Michl, Norbert Stadlhofer, Daniel Gärtner, Robert Pavlecka
ORF Recording technician: Albi Klinger, Manuel Radinger, Wolfgang Wesely, Bernd Korner, Manuel Fresser
ORF Production: Gerd Andreiz
ORF Office: Sylvia Rauter

Video
Video Supervisor: S. Thomas Strommer
Camera Operators: Elmar Ranegger, Anna Fachbach, Timo Neubauer
Photographer: Martin Gross
ORF Video Editor & Producer: Fränk Zimmer

Dom im Berg - Team
Stage Manager: Josef Schmelzer
Artist Support: Lisa Kaufmann
Ambisonics PA Team: Philip Treiber, Martin Schachner
Production Manager: Gunter Weikhard

MUMUTH - Team
Stage Manager: Joe Harpf
Artist Support: Lisa Kaufmann
Technical Manager MUMUTH: Peter Fischer
Sound Team MUMUTH: Peter Venus, Ulrich Gladisch, Ariane Pellini
Stage Lighting MUMUTH: Ralf Beyer, Thomas Bergner
Organistion MUMUTH: Margit Mahmoudi, Sabine Göritzer, Ursula Fleischhacker, Alexander Wiedenhofer

Dynamic Streaming Audio Player
Institute of Electronic Music and Acoustics (IEM)
IEM Coordination: Robert Höldrich
IEM Technical Development: Lukas Gölles, Thomas Deppisch, Matthias Frank, Franz Zotter

musikprotokoll Curators
Rainer Elstner, Susanna Niedermayr, Christian Scheib, Elke Tschaikner, Fränk Zimmer

Dynamic Streaming Project Co-operations
Institute of Electronic Music and Acoustics (IEM)
University of Music and Performing Arts Graz (KUG)

Support
Developped with the support of the EBU Media Innovation Fund

© ORF musikprotokoll, 2021